PORTFOLIO

Race Car (Personal Project)

This is my most recent hard-surface modeling project and a showcase of my current skill level. Modeled from scratch in Blender, the race car was an exercise in precision, complex surface flow, and clean topology. My focus was on capturing the aerodynamic shapes, intricate details, and technical realism of high-performance vehicle design.

Unlike my earlier tutorial projects, this piece was fully self-directed, pushing me to apply the knowledge I’ve gained while refining my workflow. From topology planning to panel work and shading setup, this project reflects my growth into more advanced, production-ready modeling. It stands as a personal milestone and a foundation for my upcoming portfolio work.

Race Car – Hard Surface Modeling (Engine Breakdown)

To highlight the internal complexity of the model, I created detailed renders of the engine bay from multiple angles. These shots focus on the dense network of pipes, wiring, and suspension components, capturing both the engineering realism and the clarity of clean topology.

The close-up perspective emphasizes the precision of mechanical detailing, while the top-down view reveals the overall structure and organization of the model. Together, these renders provide a comprehensive look at the depth, accuracy, and craftsmanship behind the race car’s design.

Fish-bot (Tutorial Project)

The second project brought me into a more playful and stylized direction. Created during a guided tutorial, the Fishbot features a whimsical design: a small goldfish piloting a mechanical robot body. Through this, I was able to expand beyond pure hard-surface work into character driven storytelling, experimenting with personality, animation, and scene composition.

The process taught me how to approach stylized materials, add charm through design choices, and build an environment that complements the character. More than a modeling exercise, this piece helped me connect technical execution with creative narrative, something I aim to keep exploring in my future work.

Drone_0.1 (Tutorial Project)

This work marks my first steps into hard-surface modeling. Created as part of a tutorial, the cam-drone introduced me to the fundamentals of hard-surface modeling, from blocking out simple shapes to refining details and preparing a final render. The goal was not only to understand the technical aspects of modeling, but also to explore how materials, textures, and lighting contribute to a convincing design.

Although the forms are simple, this work was a foundation for my workflow: learning how to structure a model, keep clean geometry, and start thinking about presentation. It represents the first step in building confidence as a 3D artist.

  • Sentient Interface.

    This piece marks a personal milestone in my exploration of character-driven hard-surface design. With RDM, I set out to blend human elegance with mechanical precision creating a presence that feels both synthetic and strangely sentient.

    The design plays with contrast: the smooth, mask-like face is interrupted by etched circuit patterns and exposed cabling, while the spine hints at a human core beneath layers of engineered logic. Subtle lighting and focused camera work guide attention toward the glowing green interface, suggesting awareness without movement.

    Created entirely in Cinema 4D, this piece also reflects our current trajectory a future where technology is evolving faster than we can process, and where the lines between humanity and machinery are starting to blur. RDM represents that in between state: part identity, part machine, part mirror of the world we're building.

    It’s a step forward in my pursuit of stylized realism and storytelling through surface, atmosphere, and design.

  • Kabelsalat.

    This piece is a visual response to the overwhelming density of our digital age. Kabelsalat literally “cable mess” depicts a hybrid figure caught in a tangle of wires, both physically and metaphorically. It reflects how entangled we’ve become with technology: part human, part machine, barely distinguishable from the systems we’ve built around us.

    The contrast between decayed surface textures and polished, high-tech components speaks to disconnection what we’re gaining in power, we’re losing in raw humanity. The cables wrapping around the figure aren't just functional they’re invasive, like roots from a digital ecosystem slowly taking over.

    Created using Cinema 4D and Blender, this work blends surrealism, body form, and sci-fi elements to explore identity, control, and the quiet chaos that hides behind our constant connection.

  • Binary dust

    You look at her, and she’s looking right back.
    But not with eyes. With data. With fragments. With memory.

    She wears a veil, not to hide, but to protect.
    Because what’s underneath is too raw, too rewritten. The fabric drips with texture, culture, encryption. Chains hang like digital rosaries, symbols of a new kind of faith, one coded in light and signal instead of blood and bone.

    There’s something sacred here. But also artificial.
    Is she human, or just a projection stitched from code and remnants of a past self?

    Binary Dust invites you to think about identity in a world where data outlives memory, where we wear our pasts like code on our skin, and silence speaks louder than noise.

    Made in Cinema 4D and Blender.

  • Damaged but Not Broken" (aka “Connected”)

    This piece reflects a state of being many know but rarely show fragmented, wired in, and still holding on. The figure sits in silence, surrounded by liquid and cables, her glowing face a map of data and distortion. At her core, a visible hole. A wound. A reminder.

    Despite the damage, she stays connected. Not just to the network around her, but to something deeper resilience. The cables that entangle her are also the ones keeping her upright. They restrict, but they also sustain.

    Created in Cinema 4D and Blender, this work plays with contrast between brokenness and function, vulnerability and strength. It's about what remains when everything else is stripped away.